2026-2027

Music by Alan Menken
Lyrics by Stephen Schwartz
Book by Peter Parnell
Based on the Victor Hugo novel and songs
from the Disney film
Originally developed by Disney Theatrical
Productions
Performances August 28-30 & September 4-6

Summary:
Based on the Victor Hugo novel and songs from the Disney animated feature, The Hunchback of Notre Dame showcases the film's Academy Award-nominated score, as well as new songs by Menken and Schwartz. Peter Parnell's new book embraces story theatre and features verbatim passages from Hugo's gothic novel. The musical begins as the bells of Notre Dame sound through the famed cathedral in fifteenth-century Paris. Quasimodo, the deformed bell-ringer who longs to be "Out There, "observes all of Paris reveling in the Feast of Fools. Held captive by his devious caretaker, the archdeacon Dom Claude Frollo, he escapes for the day and joins the boisterous crowd, only to be treated cruelly by all but the beautiful Romani woman, Esmeralda. Quasimodo isn't the only one captivated by her free spirit, though - the handsome Captain Phoebus and Frollo are equally enthralled. As the three vie for her attention, Frollo embarks on a mission to destroy the Roma - and it's up to Quasimodo to save them all.

by Ira Levin
Performances October 23-25 & 30-November 1

Summary:
Seemingly comfortable in his charming Connecticut home, Sidney Bruhl, a successful writer of Broadway thrillers, is struggling to overcome a string of recent failures and a shortage of funds. When a student in his writing seminar sends him a new script - a thriller that Sidney recognizes immediately as a potential Broadway hit - Sidney sees an opportunity. With his wife's help, he devises a plan to "collaborate" with the student, an idea which the younger man quickly accepts. Suspense mounts steadily as the plot begins to twist and turn with devilish cleverness that builds to a still-startling finale.

Book, Music, and Lyrics by Irene
Sankoff and David Hein
Original Broadway Production produced by
Junkyard Dog Productions
Orchestrations by August Eriksmoen
Arrangements by Ian Eisendrath
Performances February 5-7 & 12-14

Summary:
Come From Away is a critically acclaimed musical featuring a culturally relevant script accompanied by a deeply moving score by Irene Sankoff and David Hein. The show has earned global success with 37 award nominations, 13 of which resulted in wins, most notably Best New Musical at the 2019 Olivier Awards and Outstanding Musical at the 2017 Drama Desk Awards. The show's global presence resonates across all audiences as an uplifting reminder of humanity's ability to come together, no matter what the circumstances. Come From Away is based on the true story of the time when the isolated community of Gander, Newfoundland, played host to the world. What started as an average day in a small town turned into an international sleepover, when 38 planes, carrying thousands of people from around the globe, were diverted to Gander's airstrip on September 11, 2001. Undaunted by culture clashes and language barriers, the people of Gander cheered the stranded travelers with music, an open bar and the recognition that we're all part of a global family.

Lyrics by Tim Rice
Music by Andrew Lloyd Webber
Performances April 2-4 & 9-11

Summary:
What's the buzz? The first musical by Tim Rice and Andrew Lloyd Webber to be produced for the professional stage, Jesus Christ Superstar has wowed audiences for over 50 years. A timeless work, the rock opera is set against the backdrop of an extraordinary and universally known series of events but seen, unusually, through the eyes of Judas Iscariot. Loosely based on the Gospels of Matthew, Mark, Luke and John, Superstar follows the last week of Jesus Christ's life. The story, told entirely through song, explores the personal relationships and struggles between Jesus, Judas, Mary Magdalene, his disciples, his followers and the Roman Empire. The iconic 1970s rock score contains such well-known numbers as "Superstar," "I Don't Know How to Love Him" and "Gethsemane." A true global phenomenon and perfect pick for schools, community theaters and professionals alike, Superstar continues to touch new generations of audiences and performers.

Book by Tina Fey
Music by Jeff Richmond
Lyrics by Nell Benjamin
Based on the Paramount Pictures film Mean Girls
Performances June 11-13 & 18-20

Summary:
Consider this your invitation from Regina George herself to license the fiercely hilarious musical from book writer Tina Fey (30 Rock), lyricist Nell Benjamin (Legally Blonde) and composer Jeff Richmond (Unbreakable Kimmy Schmidt). More than a global sensation, Mean Girls is a unique licensing opportunity for customers to produce a show customized for their community. Cady Heron may have grown up on an African savanna, but nothing prepared her for the wild and vicious ways of her strange new home: suburban Illinois. How will this naïve newbie rise to the top of the popularity pecking order? By taking on The Plastics, a trio of lionized frenemies led by the charming but ruthless Regina George. But when Cady and her friends devise a "Revenge Party" to end Regina's reign, she learns the hard way that you can't cross a queen bee without getting stung.